
“I think the town is back there, on the other side of the ships.”
These are islands I have never been to before, and I have to say based on what I heard, I was expecting something quite a bit seedier, especially on the most heavily populated island of St Thomas. Yes, it is a huge cruise ship port, so there is a bit of a Potamkin Village feel about it. Every few days ten to twelve THOUSAND people arrive on their floating cities and swarm about for a few hours, then disappear. Away from the very well-worn cruise ship paths, things are not as polished, but the areas we have seen aren’t scary or blighted either.

If you told me I had to build a wall that looked like this I would have no idea how to go about doing it. Can you imagine how much a wall that looked like this would add to the value of an artist’s loft in New York City?

More of the fascinating local stone work in a house up the hill.
In first decade of the 19th century a series of fires leveled the town of Charlotte Amalie. As was frequently the case after such disastrous fires, the next round of building was mostly in masonry. Many of those warehouses and commercial buildings from the reconstruction live on in the downtown shopping district. Such masonry work, I have never seen. A mixture of field stone, ballast stone, brick, and clinker all in the same wall, and all amazingly neatly done for such random materials. Residential buildings cling to the hill above the harbor, and are built the same way.

Every building has to have it’s shutters.
Another architectural feature here are the shutters. Buildings both grand and humble all sport heavy solid wood shutters that are opened and closed daily. On a day like today, with no cruise ships in port, most of the shops are closed. The closed shutters give an almost post-apocalyptic feel to what was yesterday a bustling shopping street.

Every Carnival has to have a stilt dancer!